This information is from the Suzuki Association of the Americas. They have several helpful tips to help parents and students succeed!
Taking Notes at Lessons: Practical Tips for Parents
by Heidi Ehle
March 8, 2011 / Minijournal 2001 / Parents
Continuity is a crucial part of
learning an instrument, and the link that provides continuity between lessons
and practice is your precious notes! Having been a Suzuki parent, I know that
in a busy day sometimes you sink into the chair at the lesson and think, “Ah,
30 minutes of down time.” Then you find yourself daydreaming, and before you
know it the lesson is over. You glance down at your notebook, and see “Review
Allegro” … hmmm, not much to work with. You hear your teacher compliment your
child on the lesson, but you are not exactly sure what went on.
At this point you may ask your
teacher, “What shall we practice this week?” This will probably get a somewhat
annoyed response as the teacher thinks, “OK, do I have to re-run the entire
lesson at fast forward?” although she’s glad you at least asked. Or you don’t
ask and figure you’ll just get through practice somehow.
Helpful
Hints
While you may need some
clarification at the end of the lesson, the teacher expects you to pick out
major points for practice during the lesson. Here are some tips:
- Look for a theme, especially with very young children. There is what Suzuki teachers call the “one point
lesson.” If you hear the same aspect mentioned again and again, circle it
at the top of your notes (i.e., thumb position, clear high notes, where is
your foot, D’s correct).
- In review songs, what is the teacher’s focus? Sometimes it is just a fun warm-up, but more often
there is a specific goal. Children do not like mind-numbing repetition.
Find the teaching point in the review (i.e., beautiful E’s, breathing,
fingering D to C, air use on high notes, etc.).
- Write down how to do things. “Last two measures of Minuet I” is not enough. How did
the teacher break it up? Did you follow the process so it can be
duplicated at home? (i.e., do this small group 5 times with no slurs, then
add slurs, then speed up, through the A, be careful of the C#.)
- In scales and exercises, try to notice how they are
worked on (i.e., fruit salad, slur
patterns, speed, position or tone aspects). Just writing “Do F Major
scale” is usually not enough.
- If you can’t follow where we are in the music, make a
copy of the piece as your own study copy. Whether you read music or not, you’ll find this makes
a huge difference.
- Listen for cues.
Your teacher is constantly aware of your presence—and how mentally present
you are. Whenever you hear the word “practice,” heads up! Also listen for
colorful language: sail your tone out the skylight, staccatos like
hammering little nails, BIG beach ball bouncing. Try to use these words
again in the practice. Listen for location phrases: “in the last measure
of that line, where it starts on B-flat and goes up, where it says crescendo.”
These location tips are often for your benefit, as the teacher and student
already know where they are working.
- Observe and adore your child. Relish the chance to do this. Watch body language,
facial expressions, how your child learns, what feelings flicker past.
It’s very interesting, and you may find something to talk about later, or
you may just cherish the memory 10 years from now. However, keep your
reactions, especially negative ones, to yourself during the lesson.
- Need time to space out? OK. There are times you can, like when the teacher goes
off on a long technical workout and you already have the gist of what is
being done. But listen for cue words to bring you back to attention.
- Help your teacher:
Put all materials recently used on the stand at the beginning of the
lesson. Ask for clarification of practice tasks at end of lesson.
Ask about review if your teacher did not mention it. Try not to do noisy
things like rattle newspapers, tear checks, crinkle cellophane, etc. It’s
easy to forget that listening captures all sounds—and we are listening.
Bring up general practice or schedule problems at the beginning of the
lesson. Starting these important and timely conversations at the end of
the lesson can wreak havoc with the teacher’s attempt to stay on time.
Keep the teacher informed about events that may affect the child in a
significant way (moving, illness, divorce, school troubles, etc.). These
things have an impact which the teacher observes, and wants to respond to
appropriately. Lengthy explanations are not needed, but a word will enable
the teacher to respond in a sensitive, effective way.
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